Taking up various cultural productions such as novels, world’s fairs, advertisements, and museum exhibitions, this project argues that the discursive construction of “home” has made it a key site for negotiating twentieth-century anxieties about nostalgia and belonging, technology and progress, and both individual and national identity.
In The Fantastic Made Visible: Essays on the Adaptation of Science Fiction and Fantasy from Page to Screen (ed. Matthew Wilhelm Kapell and Ace Pilkington, McFarland Books)
The summer is ended, and we are not saved.